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Submitted: July 17, 2012
Image Size: 272 KB
Resolution: 697×900

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Batwoman Commissionby *mcguan

Cartoons & Comics / Traditional Media / Comics / Mixed Media

Just in time for that little film that is opening this week, here's... a character that doesn't appear in Christopher Nolan's trilogy, unfortunately. But! She's just one letter off from one of the iconic characters introduced in "The Dark Knight Rises," so there's that!

Eh, whatever, it's the same zip code, so that counts, right?

Here's another recent-ish black and white commission, all done up in color. I could have played with this a whole hell of a lot more, but I'm busy with other projects. So I cheated by adding a few stock city photos that I manipulated for the background. I'd like to get back to the Kate Kane character some day- I've been loving JH Williams' take on her so far.

Pitt Pens, Adobe Photoshop CS 5.5, Stock Photography.

*AlouetteCosplay May 6, 2013 Student Photographer

Love this, its gorgeous!

Nice work!!

*mcguan May 10, 2013

Thank you much!

*AlouetteCosplay May 10, 2013 Student Photographer

No problem!

*TULIO19mx Oct 20, 2012 Hobbyist Traditional Artist

Totally mindblowing!!

*mcguan Oct 21, 2012

Thanks!

~ArteDigitalSA Oct 19, 2012 Student General Artist

cool!!

*mcguan Oct 19, 2012

Thanks!

=TRDLcomics Oct 19, 2012 Professional Interface Designer

That creative team sold this design to me, despite the actual designer's original concept work for it leaving me cold.

*mcguan Oct 19, 2012

JHWIII has done some awesome things with her design.

=TRDLcomics Oct 19, 2012 Professional Interface Designer

The original sheets for the costume design aggravated me. We were still in the relatively reasonable days of the modern gray and black Batman look, I was as happy as I've been with how Batman was being presented (particularly in Dave Johnson covers and Martinborough(?) panels of Detective Comics) since Mazzuchelli, and suddenly here's a a retreat Batwoman design with all the red. Guh.

It's saving grace to me was JH William's use of color in panel composition, and how much use he got out of mono- and duo-chrome layouts that featured elements of the costume, like the red cape bleeding into the sky of the next panel or whatever...

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